announcement

Congratulations to Janine Joseph, winner of the 2014 Kundiman Poetry Prize for her manuscript "Driving Without a License"

Congratulations to Janine Joseph, winner of the 2014 Kundiman Poetry Prize. The Alice James Books Board along with members of the Kundiman artistic staff selected her manuscript Driving Without a License. Along with book publication, Janine will also receive $1,000.

unnamed.jpg


Janine Joseph holds an MFA from New York University and a Ph.D. from the University of Houston. Her poems have appeared in Kenyon Review OnlineBest New Poets, Hayden’s Ferry ReviewThe Journal, and elsewhere. A recipient of a Paul and Daisy Soros Fellowship, an Inprint/Barthelme Fellowship in Poetry, and an Academy of American Poets prize, she is an Assistant Professor of English at Weber State University in Ogden, Utah.

The 2014 Kundiman Poetry Prize finalists were: Purge by Michelle Chan Brown, Recombinant by Ching-In Chen, Love the Stranger by Jay Deshpande, quiet of chorus by Vanessa Huang, seconds of needless animal terror by Esther Lee, Cutlish by Rajiv Mohabir, The Space Between by Alison Roh Park, Tula by Chris Santiago, and Overpour by Jane Wong.

Congratulations to the winner and finalists!



June 5: Mother Tongues Poetry Reading

You are cordially invited to attend our Thursday, June 5th Mother Tongues poetry reading.
Free and open to the public.

Mother Tongues recovers diasporic narratives by chronicling the lives and experiences of mothers across three Asian American generations. Interviews, poetry and performances will combine to form an archive that will document the triumphs and challenges of building lives in America. 

Project Manager Melissa Reburiano will introduce Wo Chan, Betty Chen, Jennifer S. Cheng, Helena Chung, Vanessa Huang, and Loreal Lingad who will present their interviews and poetry to create an intergenerational dialogue and exchange.  

Thursday, June 5, 7:00 pm
Fordham University, Lincoln Center
South Lounge

113 West 60th Street
Fordham University, Lincoln Center

Take A, B, C, D & 1 trains to Columbus Circle. 
Exit at 60th Street & Broadway.  Go west of Columbus Avenue.

Upon entering the glass doors inform the security desk that you are attending the English Department event. Take escalators up 1 floor to Plaza level. Head to the back of the Student Cafeteria.  You'll see a neon sign for the South Lounge.

May 18: Kundiman & Verlaine Reading with Farnoosh Fathi, Timothy Ree, and Jennifer Tseng

Happy spring! Join us for open mic, poetry & libation at the Lower East Side's Verlaine. Come early for open bar! Stay after for Verlaine's delicious happy hour specials. 

Open bar 4pm-5pm
Open mic 4:30-5pm
Feature reading begins 5pm
$5 suggested donation

Farnoosh Fathi was born in 1981. She's the recipient of fellowships and awards from the Poetry Foundation, the Fulbright Program, and the MacDowell colony, and her poems, translations, and prose have appeared in Boston Review, FENCE, Everyday Genius, Poetry and Jacket2. Her first book of poems, Great Guns, was recently published by Canarium Books. 

Timothy Ree teaches English at a public high school in Brooklyn, New York. He holds a BA in English Literature from Wheaton College (IL) and an M.Div from Yale University. His poems have appeared in St. Katherine Review, Peregrine Literary Journal of Amherst Writers & Artists, Palimpsest: Yale Literary & Arts Magazine, and Prospect: Yale Divinity School Literary Journal.

Jennifer Tseng’s new book Red Flower, White Flower, winner of the Marick Press Poetry Prize, features English originals alongside Chinese translations by Mengying Han and Aaron Crippen. Tseng works as a literary curator, writing instructor, and circulation assistant at the West Tisbury Library on Martha’s Vineyard. Her debut novel Mayumi and the Sea of Happiness is forthcoming from Europa Editions.

Facebook event page: https://www.facebook.com/events/450883885056412/

Verlaine
110 Rivington St.
(Ludlow & Essex Sts.)
New York, NY 10012
212-614-2494 
F train to Delancey

 

This event was funded in part by Poets & Writers, Inc. with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. 

Call for Poets for the Mother Tongues Kavad: Seeking three first generation APIA poets to interview their mothers and to write poems from these interviews. $400 stipend. Deadline: April 18th, 2014

Mother Tongues


We never talked about it. Since she escaped the communist regime in Vietnam, my mother resolved to leave her past behind. Any question about the war, the refugee camp, or the Saigon gangster that had been my father met unshakable silence. Con oi, du roi. Me dien cai dau. All I knew of my family’s history came from library books, neighborhood gossip, or the long-distance calls my mother made across the Pacific while I pretended to sleep. Living without a history denied all possibilities for “existence.” And though she determined to protect me from what the telling revealed, I could not reconcile her trauma with the desire to understand where we came from, how we got here, or what unspeakable violence demanded we live in fear of that knowledge.  
-- Kundiman Fellow

 

We do not enter this life as tabulae rasae; we are born with the ability to recognize our mother's voice. In utero we begin to hear the sounds basic to language.  As we grow, we internalize the rules and structures that turn sound into meaning. Mothers give us our means of discerning language; language gives us our means of knowing our world. Past documents and images can salvage only so much of this past.  To capture our mothers' narratives we must incorporate the ephemerality of memory through speech.  We must begin with her own words.  

Mother Tongues recovers diasporic narratives by chronicling the lives and experiences of mothers across three Asian American generations. Interviews, poetry and performances will combine to form an archive that will document the triumphs and challenges of building lives in America.

 

Project Manager

Melissa Reburiano is a poet and a doctoral student in Applied Anthropology at Columbia University.  An Arthur Zankel Fellow, Ms. Reburiano's research examines race/ethnicity, gender, and social formation in emerging digital geographies. She has presented her research at conferences nationwide and has served as a teaching fellow at The Center for the Study of Race and Ethnicity at Columbia University.  A longtime educator, Ms. Reburiano has devised and facilitated college-preparatory curriculum for The Harlem Children's Zone and has most recently worked with the Asian American Writers Workshop to offer the organization's first workshop using strategies of improvisational acting to teach elements of the creative process. 

 

Project Coordinator

Paul Tran is an Asian American activist, historian and spoken word poet from Providence, RI. He's won "Best Poet" and "Pushing the Art Forward" at the national college poetry slam and numerous fellowships from Kundiman, Coca Cola and the Andrew W. Mellon Foundation. His work combines oral history and performance the reimagine the violences inherited from the American war in Vietnam. Paul is the cofounder of the Gravediggers Poetry Collective, a workshop for emerging writers of color, and coaches the 2014 Providence youth slam team heading to Brave New Voices.

 

Call for Poets

We are looking for three first generation Asian American poets interested in the intersection between oral history and creative writing. These poets will interview their mothers, respond to these interviews through poetry and participate in the culminating reading at Fordham University. There will also be a round-table discussion with Asian American youth poets on June 1 from 12:00 - 1:00 pm. Honorarium is $400.

Access the Online Application
The application deadline is April 18.
Notification to applicants will go out by email on April 25.

 

Call for Youth Poets

Eligibility and Application

Asian American youth ages 13 - 18  
Access the Online Application
The application deadline is April 18th.
Notification to applicants will go out by email on April 25th.

Youth poets will attend an oral history/creative writing weekend intensive workshop and then will interview their mothers, respond to these interviews through poetry and participate in the culminating reading at Fordham University.

 

Youth Oral History/Creative Writing Weekend Intensive Workshop

Saturday, May 31 and Sunday, June 1
10:00 am - 1:00 pm 
Fordham University, Lincoln Center
Lunch will be provided.

 


Performance

Thursday, June 5, 7:00 pm
Fordham University, Lincoln Center
South Lounge

113 West 60th Street
Fordham University, Lincoln Center
Take A, B, C, D & 1 trains to Columbus Circle. 
Exit at 60th Street & Broadway.  Go west of Columbus Avenue.
Upon entering the glass doors inform the security desk that you are attending the English Department event. Take escalators up 1 floor to Plaza level.  Head to the back of the Student Cafeteria

March 23 Kundiman & Verlaine Reading with J. Mae Barizo, Tina Chang, & Emily Yoon

Kundiman & Verlaine Reading with J. Mae Barizo, Tina Chang, & Emily Yoon

Sunday, March 23rd, 2013, 4pm


Happy spring, everyone! Join us for an evening of poetry & libation at the Lower East Side's Verlaine. Come early for open bar! Stay after for Verlaine's delicious happy hour specials. 

Open bar 4pm-5pm
Open mic 4:30-5pm
Feature reading begins 5pm

$5 suggested donation


Facebook event page: https://www.facebook.com/events/469897616471950/

J. Mae Barizo, poet and cultural critic, was a Kundiman Prize and Kinereth Gensler award finalist for Alice James Books. Her work has appeared or is forthcoming in Los Angeles Review of BooksBoston ReviewHyperallergicParis Review OnlineNylon MagazineDenver Quarterly and many more. She attended Bennington College, where she was awarded the Jane Kenyon Award for poetry. She is a 2014 Poet's House fellow, and her first book, The Cumulus Effect will be published by Four Way Books. A champion of cross-genre works and performatic poetics, J. Mae has collaborated with musicians from the The National, Bon Iver, and the American String Quartet. She lives in New York City.

Emily Yoon is a first-year MFA in Poetry student at New York University. She admires the subtlety in expression and unique intimacy with nature in traditional Korean poetry, and aims to capture such qualities in her own work. Previous honors she has received for poetry include International Merit Award from the Atlanta Review, Poem of Distinction in the Writecorner Press Poetry Awards, 1st Place in the Iris N. Spencer Poetry Contest, and publication on the APIARY magazine online.

Tina Chang is the Poet Laureate of Brooklyn. She is the author of the poetry collections Half-Lit Houses and Of Gods & Strangers (Four Way Books) and co-editor of the anthology Language for a New Century: Contemporary Poetry from the Middle East, Asia and Beyond (W.W. Norton, 2008) along with Nathalie Handal and Ravi Shankar. Her poems have appeared in American PoetMcSweeney’sPloughsharesThe New York Times among others. She currently teaches poetry at Sarah Lawrence College and is an international faculty member at the City University at Hong Kong.

 


Verlaine

110 Rivington St.
(Ludlow & Essex Sts.)
New York, NY 10012

212-614-2494 
F train to Delancey


This event was funded in part by Poets & Writers, Inc. with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. 


The 2014 Kundiman Poetry Prize: Last Call for Submissions! Deadline 3/15

The Kundiman Poetry Prize

Published by Alice James Books 
an affiliate of The University of Maine at Farmington

kundimanprize.jpg

Deadline for submission:
March 15, 2014

The Kundiman Poetry Prize is dedicated to publishing exceptional work by Asian American poets. Winner receives $1,000 and book publication with Alice James Books.

Submit now! 

For more information, visit our prize page here: www.kundiman.org/prize

And to submit electronically, click here: https://kundiman.submittable.com/submit/26452

Alice James Books

Alice James Books is a cooperative poetry press with a mission is to seek out and publish the best contemporary poetry by both established and beginning poets, with particular emphasis on involving poets in the publishing process.

Eligibility

Asian American writers living in the United States.

General Guidelines

  • Reading period begins January 15.
  • Manuscripts must be typed, paginated, and 50 – 70 pages in length (single spaced).
  • Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection as a whole must be unpublished. Translations and self-published books are not eligible. No multi-authored collections, please.
  • Manuscripts must have a table of contents and include a list of acknowledgments for poems previously published. The inclusion of a biographical note is optional. Your name, mailing address, email address and phone number should appear on the title page of your manuscript. 
  • No illustrations, photographs or images should be included.
  • The Kundiman Poetry Prize is judged by consensus of the members of Kundiman's Artistic Staff and the Alice James Books Editorial Board. Manuscripts are not read anonymously. Learn more about our judging process.
  • Winners will be announced in June.

Guidelines for Electronic Manuscript Submission

Click here to access the Electronic Submission Application between January 15 and March 15.

Guidelines for Print
Manuscript Submission

Should you wish to submit your manuscript via postal mail, mail your entry to:

Kundiman
P.O. Box 4248
Sunnyside, NY 11104

Send one copy of your manuscript submission with two copies of the title page. Use only binder clips. No staples, folders, or printer-bound copies.

MANUSCRIPTS CANNOT BE RETURNED. Please do not send us your only copy.

Entry fee is $28.  Checks or money orders should be made out to Alice James Books. On the memo line of your check, writeThe Kundiman Poetry Prize.

Checklist for print manuscript entry:

  • One (1) copy of manuscript enclosed, with acknowledgements and two (2) copies of title page
  • $28 entry fee
  • Business sized SASE
  • Stamped addressed postcard
  • Postmarked between January 15
    and March 15

Last chance to apply for the 2014 Kundiman Poetry Retreat! Deadline: 2/1/2014, 11:59pm EST

2014 Kundiman Asian American Poetry Retreat
 

Deadline to apply: 2/1/2014

June 18 - 22, 2014
Fordham University
Rose Hill Campus
New York City


Faculty: Marilyn Chin, Eugene Gloria, & Michelle Naka Pierce

Apply now for the Kundiman Asian American Poetry Retreat--and spread the word! Accepted fellows will gather in New York City for five days of writing, community building, and workshopping. Submit five to seven pages of poetry, a cover letter with a brief paragraph explaining what you would like to accomplish at the Kundiman Poetry Retreat, and $15 application fee. Our retreat application is open to anyone who identifies as Asian American. If you are selected to attend, please know that the non-refundable tuition fee is $375. Room and board are free to accepted Fellows. The deadline is February 1st, and we only accept applications online.

Click here to access application: 
https://kundiman.submittable.com/submit/7030

For more information on the retreat, check out this video:
http://vimeo.com/72058947 

and visit our retreat page at:
kundiman.org/retreat

unnamed.jpg

Marilyn Chin is an award-winning poet and the author of Revenge of the Mooncake Vixen, Rhapsody in Plain Yellow, The Phoenix Gone, the Terrace Empty and Dwarf Bamboo. Her writing has appeared in The Norton Anthology of Modern and Contemporary Poetry. She was born in Hong Kong and raised in Portland, Oregon. Her books have become Asian American classics and are taught in classrooms internationally. 

unnamed-1.jpg

Eugene Gloria earned his BA from San Francisco State University, his MA from Miami University of Ohio, and his MFA from the University of Oregon. He is the author of three books of poems -- My Favorite Warlord (Penguin, 2012), Hoodlum Birds (Penguin, 2006) and Drivers at the Short-Time Motel (Penguin, 2000). He teaches creative writing and English literature at DePauw University in Greencastle, Indiana.

unnamed-2.jpg

Award winning poet Michelle Naka Pierce is the author of four chapbooks and four full-length books, including TRI/VIA (Erudite Fangs/PUB LUSH, 2003) co-authored with Veronica Corpuz; Beloved Integer (Bootstrap/PUB LUSH, 2007); She, A Blueprint (BlazeVOX, 2011) with art by Sue Hammond West; and Continuous Frieze Bordering Red (Fordham, 2012), awarded the Poets Out Loud Editor’s Prize. Pierce has collaborated with artists, dancers, and filmmakers and has performed her work internationally, most recently in France and in Japan. With J’Lyn Chapman, she is the editor of Something on Paper, an online poetics journal: www.somethingonpaper.org. She teaches in and directs the Jack Kerouac School of Disembodied Poetics at Naropa University. Currently, she lives in Colorado with the poet Chris Pusateri.

Thank you, and we look forward to your applications!

If you have any questions, feel free to contact us at info@kundiman.org.

Cheers,

Kundiman

Nov 23 KAYA NATIN! (We CAN DO THIS!): Filipino American Writers' Bayanihan Benefit for Typhoon Yolanda/Haiyan Survivors

Kaya_Natin_FB_1_.jpg

Books for sale donated by Junot DiazChris Abani, and Filipino American writers. Letterpressed holiday cards/ornaments for sale donated by Newhard Design.

Facebook event page here: https://www.facebook.com/events/752892964725092/

For those who cannot attend the fundraiser, donations can be made here: Additional donations can be made here: http://www.crowdrise.com/KayaNatin2013

Sponsored by the Asian American Writers' Workshop, Kundiman, Sunday Salon. Merienda (afternoon snacks and drinks) from Papa's Kitchen (Woodside, Queens) & Brooklyn Brewery.

Your $10 donation at the door and sales from donated books will go to KUSOG TACLOBAN and GOTA DE LECHE.

Seats are limited! Reserve yours here.

Interview with Ansley Moon

ansley(1).jpg

Ansley Moon was born in New Delhi, India, and has since lived on three continents. Her work has been published in PANK, J Journal, Southern Women's and elsewhere. Her first book of poetry, How to Bury the Dead, was published by Black Coffee Press. She is the recipient of a Kundiman fellowship and works as an editor for Black Lawrence Press. She lives in Brooklyn, NY.

You attended your first Kundiman retreat with your fellow readers Wo Chan and Tung-Hui Hu, in 2012. What's one memory or takeaway that you have from that retreat?

The Kundiman retreat is a sacred place. For me, it altered my relationship to poetry and it made me believe that my voice was necessary.  I also remember Wo and Hui-Hui’s transformative reading. I feel privileged to read alongside them at the Kundiman & Verlaine Reading.

You attended the New School for your MFA. How has your writing life changed since then? How has it remained the same?

My MFA program made me a stronger writer by pushing me to take my work seriously. Before my writing program, my writing life was a solitary one. Now, I have a group of friends that inspire and challenge me to be a better writer and person. 

Can you talk a little about how you balance your teaching life and your writing life?

I think that the key to balancing any job and writing is setting strict parameters and differentiating your “work” time from your writing time. I do this by striving to complete all my teaching related tasks at my job so that my evenings and weekends are free to write. Some weeks are better than others, and this is the first year that I feel I am balancing writing and teaching. I write everyday and revise and submit writing on the weekend. While teaching can be a grueling vocation, I am passionate about education. My students inspire me by sharing their poetry.

Kundiman has an ongoing Kavad project this year called Writing Race and Belonging: would you mind spending some time discussing your relationship to writing, race, and belonging? Broad topic, I know, but we're interested in any first memories, thoughts, or impressions you have when you think about those three ideas.

I was born in India and adopted into a white, Southern family. From an early age, I learned that “belonging” meant complicating traditional narratives. For me, being raised in the South was a constant trauma that forever marked me. I am always navigating race and identity. 

In Monique Truong’s book, Bitter in the Mouth, she states: “We all need a story of where we came from and how we got here. Otherwise, how could we ever put down our tender roots and stay.” Writing has always been my way of navigating my place in the world.

What are you working on now?

I am working on a poetry manuscript about adoption, race, and infanticide in India and a long poem about my father.

What are some favorite books (movies or art) that you would recommend?

There are too many books to name! Recently I read Crazy Brave by Joy Harjo and The Father by Sharon Olds. I would recommend both! I am also interested in the way that art, music and dance intersect poetry. Wim Wenders’ film Pina especially comes to mind.

 

Ansley Moon will be reading with Wo Chan and Tung-Hui Hu at Kundiman & Verlaine on Sunday, November 17th at 4pm.  Check out the Facebook event page here: https://www.facebook.com/events/1375415046033941/?source=1 

Please note that we decided to hold a fundraiser at this event. Proceeds from this reading will benefit Typhoon Haiyan/Yolanda Relief in the Philippines. So, please come and open up your hearts as well as your pockets. The Philippines is in dire need. Every bit counts.